But not me, pretty babyGaslight Anthem, “Even Cowgirls Get the Blues”
I still love Tom Petty songs
And driving old men crazy…
I love Tom Petty and always have. Full Moon Fever (near perfect) came out when I was nine, and I remember stopping on the video for “Running Down a Dream” because it was a cartoon. I got to know “Don’t Come Around Here No More” because it was still in constant rotation on VH1 even four or five years after Southern Accents. Into the Great Wide Open came out when I was in fifth grade and I remember Tom looking like a glorious paisley pirate on SNL. In between those things was the Roy Orbison renaissance, so the Wilburys were always there, too. The greatest hits record came out when I was in junior high, and by then I probably knew all of the big radio hits except “Refugee.” Wildflowers was huge, of course, and then there was “Walls (Circus)” which is maybe one of the best songs ever written.
So, from about 9 to 17, I grew up on the radio, video, and soundtrack hits. Then I started listening more closely to the greatest hits disc (and classic rock radio) and realized the amazing piece of work “Refugee” is. But for whatever reason (probably lack of cash) I didn’t run out and buy the old records. Then came The Last DJ, which I also loved.
So it wasn’t until I was in my late 30s and sprung for satellite that I hard songs like “Shadow of a Doubt (A Complex Kid)” and “Louisiana Rain” and “A Woman in Love (It’s Not Me).” They are amazing. Here they are.