Thank you to the editors who have published my work this year, and to the readers who have read it!
Taken together, there are some very clear themes to this year’s published work. I am honored to have been published at every one of these journals, and I’m grateful to The Shore for their Pushcart nomination and to have been selected for print anthologies by Nick Virgilio Haiku Association/Nick Virgilio Writers House and Hippocampus Books.
Here’s the list of published works for 2021, again, with my profound thanks and appreciation.
Great Dams on the Land at Belt
Stop Me if You’ve Heard this Before, Superego at The Daily Drunk. This piece was also noted by the Existential Poetics newsletter.
Doorjamb at Bandit Fiction.
A Poet of Hope at Appalachian Review
On Billy Joel and Thomas Pynchon: It Was Always Christie Lee at The Daily Drunk.
Salvator Mundi at Still: The Journal.
Prepositions at VIA: Voices in Italian Americana, Vol 32, Issue 1.
Ospitalità (Nonno Flirts with Death) at Schuylkill Valley Journal.
The Effects of Ground-Level Ozone on the Ecology of Pennsylvania Highways and Ode to Wallace Stevens at The Shore. The editors at The Shore nominated “The Effects of Ground-Level Ozone…” for a Pushcart Prize. I am very grateful.
Bear and Mountain and Well Past the Harvest at Dodging the Rain.
Last Standing the Closing Country, which first appeared at Brevity, was selected for publication in “Main: An Anthology” by Hippocampus Books. Here’s the description from Hippocampus: “Main: An Anthology, part of The Way Things Were Series from Books by Hippocampus, celebrates small town America. The collection features stories about family-owned businesses, such as the stores and specialty shops that used to rule Main Street America. Our contributors share how these businesses define themselves and their family members, how the efforts evolved over time, through the generations.” Read more here.
Wage Slave was selected for publication in the Haiku in Action anthology by the Nick Virgilio Haiku Association and Nick Virgilio Writers House. From the publisher: “This collection of contemporary poems from around the world includes hundreds of haiku in its various forms, from the traditional style to senryu, monoku, and more. The anthology is perfect for lovers of haiku who want to read poems focusing on the events of 2020 from an international and diverse range of both established and emerging poets. More than just a collection of poems, this book also features haiku categories, writing prompts, essays from the NVHA staff, and an extensive lesson on haiku writing from renowned teacher, Tom Painting.”
Co-wrote the lyrics for “Radio Jesus” with John Hardt. Performed, recorded, produced by John Hardt.