“To a Contemporary Bunkshooter” by Carl Sandburg

I was given recently 15 bags of books, all kinds, from a newly-retired pastor. The first one I happened to open is a 1923 edition of “The World’s Great Religious Poetry” from Macmillan. How delighted I was to find Carl Sandburg included the volume.

“To A Contemporary Bunkshooter” was apparently originally called “To Billy Sunday,” but changed because of concerns about libel.

It’s powerful, and it’s one of the few plainspoken, modern pieces in this 99-year-old collection. Read it here on Bartleby.

“Great Dams on the Land” at Belt Magazine

Sometimes a piece finds a perfect home.

“Belt Magazine is a digital publication by and for the Rust Belt and greater Midwest. Founded in 2013 as an antidote to shallow, distorted representations of the region, we challenge simplistic national narratives by paying local journalists, writers, photographers, and poets to cover their communities with depth, context, and the kind of rich insight that can only come from a deep relationship with a place.”

Please read more about Belt’s mission here. It hits very close to home, and I’m so proud to now be part of it. Thank you, Ryan and Belt!

Love After Love by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Collected Poems 1948-1984, Farrar, Straus & Giroux, 1986

To You Biographers of Caesar

To you biographers of Caesar,
            I am that murdered general, 
a Roman nose engraved on silver coin;
an alabaster column in perfect Roman order,
            a sword, a plough, a prefect,
a century of soldiers—
a bumper crop in Tunis or in Spain.

 To you biographers of Peter, 
            I am that Prince Apostle,
a Hebrew man enshrined beside the Po;
a traitor and evangelist fell prey to Roman order,
            a sword, an ear, a net for men,
a century of soldiers—
an empty cross along the Apis train.     
            
 To you biographers of Arthur,
            I am that coming high-king,
a Celtic myth in Celtic pride entwined;
a pauper and a prince, once, before the Roman order,
            a sword, a stone, a chalice, 
a fief of noble soldiers—
the Cup of Christ long kept by England's swain.   
             
 To you historians of Athens,
            I am that naval power,
the wisdom of my people long beheld;
Master over Sparta before the Roman order,
            a sword, a fleet, the polis, 
a city-state of scholars—
the light of pagan Europe in my blade.   

 You genealogists of Adam,
            I am the father sinner,
God's firstborn from the dirt of Eden's shade;
a farmer and a workman, the sewer of disorder, 
            a sword, a tree, the rocky earth,
left to my warring children—
their history still in my image made. 



  
  
I wrote this maybe 15 years ago while I was reading Leaves of Grass.  The poem is really nothing like “To a Historian,” but I loved that title so much.  I think that was the impetus.