Bartleby, the Carpenter; Bartleby the King of Pop: The Inevitability of Jesus and Michael Jackson

Michael Jackson died in 2009.  This post is from 2013. 

I enjoyed this recent post from Wandering Mirages about the eponymous hero (or something) of Herman Melville’s Bartleby, the Scrivener.   Wandering Mirages concludes that Bartleby is all things at once:

But, in the end, in the tragic and evasive end, the novella had proved itself to be anything but simple and he was none of this and all of this, of course. He was probably the essential human present in the most inscrutable of strangers, in the inner life of the other. He might also be the scion of capitalism, a representation of its many wonders, and an idle. early sacrifice at the altar of pacifism and non-violence. He was some mysterious combination of the heroic and the ironic, and the rest too, in all probability – of the incongruous and the inevitable. A Gandhi without an audience.

Just before Christmas, I was talking with a friend about Michael Jackson.  I’ve been trying to put into words exactly how it is that Michael Jackson’s later life and death were in certain ways inevitable: that somehow, Michael Jackson is precisely what we do to people in the pop age, the age of celebrity cults and ever-massive media.  (Ever-massive is incorrect, but I like the way it sounds.)  Michael Jackson is our Joker: he was formed by the dynamics of his family and then by the pathologies of the second half of the 20th century. We’re not entirely at fault:  the machinations have been moving since the printing press, since cuneiform.  But in another way, MJ died for our sins as much as his.  Everything odd or evil  about him was leavened with the grist of our corporate fascinations: in whiteness, in youth, in being thin, in being rich, in child stardom, in the facilities of fame, of fortune over health.  That he was born black and poor in 1958 in Gary, Indiana is essential: none as gifted or as tortured would emerge from white suburban basements. Jackson’s migration from black to white was, he said, genetic, but it was also an indictment of our racist predilections and expectations of goodness and beauty.  The man who transcended the color barrier on MTV and in popular music more than anyone before him was black, and we demanded greater whiteness.  He obliged.  Abused in youth and adolescence, this eighth child of the Jackson clan knew a thing about survival, keeping peace, being poor and not wanting to go back, about the weight of family needs and expectations.  Unlike our Bartleby, Michael did what he was told.  It killed him anyway.

Clearly, I’ve thought of Jackson as a kind of Christ figure for our repulsive age.  And Wandering Mirages reminds me that Bartleby may just as well have been The Carpenter, one who is all things to all people, one sacrificed like Jackson on the altar of what the old hymn calls God’s “children’s warring madness.”  If Bartleby was killed for his refusals (first to do as he was told, then to protect himself and his interests), so too was  Jesus.  While Bartleby may have been “the most essential human present in the most inscrutable of strangers,”  Jesus came, according to tradition, so that we might see God in one like us.  Fully human, he was treated as a stranger.   The mirror-Leonard Cohen.  And yet he is also, in my experience, a “mysterious combination of the heroic and the ironic, and the rest too, in all probability – of the incongruous and the inevitable.”

Michael Jackson was inevitable.  So was King.  So was Jesus.  Whether you believe he was from Nazareth or God or some mystic union of both, the incongruity of his life and message with the power values of the system in which he lived, the system in which we live, made his sacrifice inevitable, subversive, and, for those who find life in him, full of saving grace.

The deaths of Bartleby, King, and Jackson indict us all.  So too the death of Jesus.  But when Christians talk about his resurrection, I think we mean that there’s a point to unwarranted suffering, to refusing to compromise our core convictions about the economy of justice or the economy of God even in the face of our destruction.  This is the power of a flower in a rifle, of one lone citizen refusing to move before a procession of tanks.  Of a dying God refusing to come down from his cross, to call down all his angels, as it were.  This is holy irony, and a saving kind of subversion.

Conquering Our Moloch

An 18th century illustration of the Canaanite ...
An 18th century illustration of the Canaanite deity Moloch, as depicted in the Bible. (Photo credit: Wikipedia)

I’ve been considering John Milton’s Nativity Ode anew this Advent.  Today, I saw a tweet from The New York Review of Books quoting from Milton’s Paradise Lost about the blood lust of the pagan god Moloch and the gruesome terms of his worship, child sacrifice.

I clicked through to the piece, which you can read here. The gun, says Gary Wills, is our Moloch.  Maybe so. But if so, our collective and willful ignorance of America’s mental health crisis is something of an original sin from which we haven’t come close to working out or making right.

Wills reminds us that in Paradise Lost,  “Milton represented Moloch as the first pagan god who joined Satan’s war on humankind.”  Yes.  And in Milton’s Nativity Ode, Moloch is among the first to flee his seat of power at the birth of Christ, the coming of the Holy Child.

I left this comment at NYRB:

“To continue the Milton and Moloch theme, on the Third Sunday of Advent, we remember that Moloch only flees with the birth of the Holy Child. I don’t offer that as a bit of religious imperialism, but as a comfort to those who will find comfort in it, and as a point of literary irony worth considering in the larger context of the extended metaphor.”

There’s something fundamentally profound about the juxtaposition of the reign and flight of Moloch with the coming of the Prince of Peace as an infant, as a child.  I’m not offering a positivist religious fatalism, here.  I’m saying that Wills makes one of the best arguments for pacifism you’re likely to hear if you bear mind 1) the Mennonite insistence that the crucifixion of Christ was God’s clear condemnation of violence as a means of ending violence 2) Milton’s liturgical resister in Advent, and 3) Milton’s insistence that God’s overthrowing of idols happened not only at Christ’s death but also, fundamentally, in his birth.

In the Nativity Ode, Milton struggles with the now-and-not-quite-yet nature of the Prince of Peace’s reign.  I struggle with it, too.  The child Jesus would grow up to say “The Kingdom of God is here!” but few and far between are the kinds of communities that prove the claim.  Few and far between are the leaders who lead and live like Jesus, few and far between are churches with progressive witnesses for peace and mental health commitments.

Think what you will about guns.  But it’s hard to argue that with our wars, our drones, our violent entertainment and our voyeuristic gaming, we’re not sacrificing children to the grim god Moloch, to the military-industrial complex, to big businesses and lobbyists and other interests.  All the while spending a comparative widow’s mite on the nation’s mental health crisis.  That’s idolatry any way you cut it. That is injustice, that is sin, that is, frankly, evil.

Our Ethos Is Sincerity

“All across the pop culture spectrum, the emphasis on sincerity and authenticity that has arisen has made it un-ironically cool to care about spirituality, family, neighbors, the environment, and the country. And pollsters find this same trend in the up-and-coming generation from which Wampole culls her hipsters, Millennials. A recent Knights of Columbus-Marist Poll survey found that among Millennials, six out of 10 prioritized being close to God and having a good family life above anything else. For those in Generation X, family was still important, but the second priority was not spirituality—it was making a lot of money. Clearly, a change has been underway.”

My friend Jonathan Fitzgerald has been doing a lot of work on the New Sincerity lately.  Above is an excerpt from this piece at The Atlantic.

Bill Clinton Has Obviously Never Seen “The Big Lebowski”

From October 25, 2012.

Matt Bai says Bill Clinton’s advice to frame Mitt Romney as an extreme conservative rather than the nihlist voters believe him to be was a mistake (here in The New York Times).

Crux of the piece:

“The bottom line here is that one can over-think this whole notion of framing your opponent. Ninety-nine times out of 100, the line of attack that works best is the one that really rings true. In the case of Mr. Romney, whatever his stated positions may be, the idea that he’s a far-right ideologue, a kind of Rush Limbaugh with better suits and frosty hair, just doesn’t feel especially persuasive.

On the other hand, the notion that Mr. Romney isn’t centered in any philosophical impulse — that he will say or do whatever it takes to win — seems more plausible, given his contortions on a range of policies, and given his excessive caution as a candidate.”

Yesterday, Andrew Sullivan said that Romney’s singular skill at reversing positions whenever it seems expedient (or, to be generous, right) could be understood in the context of his mid-century Mormonism.  Mormons believe in continuing revelation, Sullivan says, pointing out that Africans and African Americans were classified as cursed in the LDS until 1978.   He quoted Mormon leader Bruce McConkie’s statement that year: “It doesn’t make a particle of difference what anybody ever said about the Negro matter before the first day of June of this year, 1978.” (Sullivan also points out that for close to 40 years, Mitt Romney remained active in a racist church, and that no one is raising that issue the way Obama’s connection to Jeremiah Wright was held up for all to see).

Sullivan claims that it’s okay to use Mormonism, “the only consistent intellectual thread in Romney’s life,” as a kind of decoder.  Readers accused Sullivan of not understanding what Mormons believe about the efficacy of continuing revelation.

Is it possible that Romney’s left-to-center-to-right-to-center-to-right-to-center dash of the last 18 months is simply the candidate’s inner life lived out in public?  Maybe.

And then there’s the belief, which Bai basically says most voters hold, that Romney is a manipulative nihilist.  The Lebowski Problem come home to roost.  Unfortunately for Barack Obama, Bill Clinton was otherwise engaged when Walter Sobchak instilled in us a deep distrust for that particular non-ethos.

Third party!