Get rid of cliched placeholders for better, truer writing.
Source: Literary Lexicon: What’s A Dying Metaphor? – Chris Cocca
Get rid of cliched placeholders for better, truer writing.
Source: Literary Lexicon: What’s A Dying Metaphor? – Chris Cocca
“Ought not to daunt you. Never be daunted. Secret of my success. Never been daunted. Never been daunted in public.”
If that’s not a twitter bio for the Lost Generation, I don’t know what is.
I’m reading Lawrence, Hemingway and Anderson.
Tonight, I will read a few chapters in the Sun Also Rises and perhaps a little more of St. Mawr.
I’m also reading The Most Excellent Comedie and Tragical Romance of Two Gentlemen of Lebowski.
You’re going to want to check that out. Full disclosure: I get a small percentage if you buy it through the link.
I hadn’t heard of this work by Adam Bertocci until my wife bought me a copy as a surprise earlier this week. The opening scene alone is worth the cover price.
A Winter Ascetic
The house is cold at 60 and January lies. Outside everything’s washed bold under bright sun and heavy light but the air’s still cold like New Year’s. The shadows are crisp, too, I can see without my glasses, but the lines of my hardwood floor run together at the door. I won’t go outside today.
The dog got walked twice on Tuesday and yesterday the same. He’ll be fine for now with the city paper in the basement. I don’t give him the free paper, though – that I save that for kindling. It’s not as good a grade and burns much cleaner than our subscription rags.
I teach here in the Valley, English at the county’s liberal arts college, and we’re still on what my editor and the administration insist on calling Break, but I don’t get much done. They brought me here after my dissertation because of the exciting work I was doing on cognizance and the nonnegotiable particulars of a working Kantian regime in British Lit. I scrawl it out in pencil or pen on blue lined sheets of paper with thin red ledger lines. They’re curling on my curio and they blur together, too.
The dog comes in with my fedora. The fedora is for Thursday walks, he knows, with the beret and scarf for Sundays. I scratch behind his ears and tell him not today. “I’m working on the ending, Scout, and then I will be finished. Once more through the ending and then the intro after that.” No one reads the middles so I don’t even bother. Better authors put their real points there, buried in a paragraph or single sentence, buried in the middle where no one reads. To me it’s just a vehicle, an excuse for clever starts and pithy, pithy ends and I think maybe I should have been a poet.
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Publication notes: This is another of those pieces that is so old that it was published at one of the early online microfiction journals, in this case, a venue called Thieves Jargon. Like elimae and Tuesday Shorts and others from those days, the Jargon is no longer. “A Winter Ascetic” was published there in December of 2007. Copyright Chris Cocca 2007 – 2018 and in perpetuity.
This was originally published years ago at Six Sentences. I have slightly revised it since then, but I think the revision makes it more of story and less of a prose poem.
The Insult
There are no bakeries outside San Marco in 1968, no fish markets or butchers, only tobacco fields and salted meats between Carmine’s and the piazza. Dirt roads spread like long brown leaves from my cousin’s to the church-square and we ride to town on ox carts and warping wooden wheels.
I give my aunt a big roast in the cool dirt kitchen where summer meats are hanging. At dinner there’s a small cut roasted and I ask about the rest. Three quarters of my trophy, cured, turns above the table. Flies land on the slivers Zizi portions, oblivious and greedy. Li mericani! she says, forgiving my abuse.
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All rights Chris Cocca, but do feel free to share, and, please, do comment.