Dear Editors,
Please find attached a salty poem about being frustrated in bookstores (but never with lit mags).
Thank you for your consideration,
Chris Cocca
Dear Editors,
Please find attached a salty poem about being frustrated in bookstores (but never with lit mags).
Thank you for your consideration,
Chris Cocca
It has been raining for a near-biblical period of time in Pennsylvania. Maybe not forty days, but certainly six.

This morning the sun is shining and it looks again like May. Today I will mow the lawn and pull some weeds. If I have (make) time, I’ll do some writing and revising, which is also like pulling weeds. There’s something very satisfying about these actions.
In honor of the passing rain, here is my current list of Best Songs About Rain, totally off the top of my head as I type:
“Who’ll Stop the Rain?” – Creedence Clearwater Revival
“Have You Ever Seen the Rain?” – Creedence Clearwater Revival
“Purple Rain” – Prince
“Novemeber Rain” – Guns N’ Roses
“Live Forever” – Oasis
“No Rain” – Blind Mellon
What are yours?
One of the hardest things about writing poetry is not being too precious about it.
I try to strike all the preciousness away. And then I read the newest mags and journals or html broadsides, and find amazing work, and many precious lines I’d probably strike.
The word amazing is, itself, a little precious. A little over-used by adults.
The only people who really know what it means are children. They are almost always right about it.
Here’s a new piece by Jon Marcus:
How cursive, which carries social and cognitive benefits, became the latest fetish of the analogue authenticity set
Source: The Return of Handwriting – Member Feature Stories – Medium
I’m not the I-told-you-so type, but, I mean, I totally did:

I used to read a blog called Paleofuture. It’s still out there, somewhere. One day, Paleofuture posted a picture of someone’s 70’s vision of an 80’s space station. Sure, every time I see a ’57 Chevy or googie architecture, I wonder why the future Walt Disney invented for the Boomers never, ever came. But I was a kind in the 80s. The picture of the space station was a sort-of writing prompt. This is from 2012, maybe:
I was a kid in the 80’s and got to go to EPCOT. I used to read Popular Mechanics and try to make crap out of batteries and magnets and draw fighter jets and space stations and curvy future cars and build paper ammo wristbows from rubber bands and hangers. I did The Jason Project.
I remember when the Challenger blew up because the lady teacher had a kid my age and my family had an Aerostar the first summer they came out. After it happened Ford pulled the commercials that showed how the nose of their new mini-van looked just like the Shuttle. I broke the sliding door with my first GI Joe and burned my arm on an interior light and it scabbed and cracked and leaked all summer and I’d touch the puss with the fat tips of my fingers to see if it would hurt.
My grandmother made me watch INF when I was 7 so I could say that I’d seen history. She didn’t say it but in 1987 you had no way of being sure you’d see more big human moments. Imagine living like that for 4o, 50 years, thinking about the button, building schools with fallout bunkers, doing drills. I remember the first time I saw a plane, it was Wednesday, 9/19, 2001. I went to college near a power plant with two cement torch chimneys so these things made me nervous. I imagine living like this for 40, 50 years, collecting history for my son just in case it stops. Waiting for the break, the thaw, the perestroika. The Western glasnost Gorbachev and the Dubai-Vegas-Beijing Red Dawn white trash show. Waiting for the INF bombs to come in off the market. There is no end of history, Francis Fukuyama. There is history or nothing.
Obama will close Gitmo but will hold enemy combatants indefinitely without trial on the mainland. Semantics must be justice. There are pictures of Pelosi toasting Cheney and Shepard Fairey laughing, obey, obey, obey, obey the giants and their posses. I was a kid in the 80’s.
I thought we’d have more now: sustainable communities instead of social networks. Colonies in space. We got personal computers, personal accessories, personal devices, vanity, vanity, vanity, rah rah trips to ISS but lazy outward pushing. If Richard Branson brings the heavens we should fill them.
I am all for more access to great things. But somehow, Gatsby passing into the public domain makes me sad. I’m not sure why.
Twenty years ago, Charles Baxter named the unsettling traits of America’s then-adolescent “culture of deniability” and what its “dysfunctional narratives” meant for politics and fiction. Click through for my essay, recently published at The Writing Cooperative on Medium: On Made Mistakes and Making Making Them – The Writing Cooperative