“Salvator Mundi” at Still: The Journal

This poem was published at Still a few years ago.

I talk about it in some more depth in today’s Substack. (A Poem, a Dream, and Four Perfect Songs)

Thanks for reading.

Salvator Mundi
Chris Cocca

Now the thing to know about my dad
he doesn’t care if you know
(he’d rather I not even say)
but who gives a shit, really,
because I studied for
priesthood (Nonno had all the books)
and, let me tell you,
the Holy Church doesn’t blush.
But my dad, for some reason,
embarrassed by riches
he fucking deserves
his ring finger bent sideways
above the first knuckle
his hands brown and twisted,
Christ’s head sat low
on his sternum,
diamond-crowned,
my pop’s one allowance
the heavy gold chain
from when Nonno
came back from Naples.
You know what they say
about Naples
(the ghosts of the gone world,
the lares, their iron-tipped spears,
that poor wop Longinus).
Unlike the church, Christ,
my dad blushes
has one holy treasure;
it’s no fucking idol, bunkshooter;
no subway token, no charm,
no mask for Apollo, some laurel-wreathed sun.
It hides in the hem of dad’s white v-neck tee,
Christ in the clouds, Christ sweating blood,
Christ’s head sat low on dad’s sternum,
Salvator Mundi entombed on a double
my old man’s fucked hands
bent for work.

Cliché is Not an Adjective  

A hard truth some chronically online people need to hear: cliché is a noun. It is only a noun. It is never an adjective. The adjective form is clichéd. Clichéd is elegant.

“I could have sworn…”

No.

I think what’s happened here is people aren’t reading, and they’re also thinking cliché is like passé. But no. Never.

Other thoughts for Monday via the free Substack. Neil Young, Carl Sandburg, erasure poetry, and more. Not long. Hopefully not pedantic.

Two Poems

Two poems previously published at The Shore, the first of which was nominated for the Pushcart Prize:

The Effects of Ground-Level Ozone on the Ecology of Pennsylvania Highways

We could talk about the road
from Allentown to Bloomsburg,
the nuke plant outside Berwick,
the wind mills in Shamokin.
Or I could say what’s plain,
the pallor of the tree tops
too soon against the still-green valley’s
August.

It’s not latitude or elevation
dressing them for harvest.
The civic body pulsing
the freight metastasizing
the emissions of the tourists
come to find themselves
in nature.
Or I could say what’s plain.
There’s nothing in our handiwork
the dying leaves would envy.

Ode to Wallace Stevens

I’m not sure how I feel
about this Wallace Stevens, born in Reading
near the Updikes and the Danners
O’Hara, from the famous brewing town,
Doolittle and Benet from what we still call Christmas City.
Sandburg talked about it.

I was born in Allentown,
half-raised in the townships
with the sons of bankers,
the daughters of accountants,
the sleight progeny of academics,
and half-raised by my father’s
kind of people.

And so when Stevens carries on
and Ezra changes Hilda
into affectation
I think about the blacktop
behind my cousins’ house
the drop-off to the alley
the neighbor kids with summer colds
who smelled like smoke,
no light or warmth in
metaphors or symbols
no prattle about tea—
communal three-speeds, maybe
broken like umbrellas,
free camp at the Y,
baseball in the city parks,
the college hill for sledding.

We go to school or war,
we settle in careers,
like Stevens we get licensed
like Ezra we go crazy
like Hilda we are strung up in the trees.

The halo light of street lamps
has burned out in our alley
Like Hart Crane, one of us is dead.

Rested in an urn on my aunt’s
shoddy mantle
forty cantos east of Reading,
eight west of HD’s plot on Nimsky Hill,
a soldier’s fortune from these lives of letters,
these gadflies we recycle,
and these wars,
also never-ending
so we can have our books
they give the light and heat
by which
my father’s people burn.

Sifting through Kerouac’s Western Haiku

A blog post haiku

Hey there and howdy, hello.

Come find me on Substack.

This blog is hosted on WordPress, and there’s a whole WordPress ecosystem that, in theory, helps connect people.

I don’t think I post often enough for that to work, but I really do appreciate the folks who follow me here.

What I like about Substack is that they’ve found a way to incorporate what I also liked about Twitter. There’s the blogging platform (newsletters), the feed (tweets, but they call them posts), and there’s also a chat. It’s pretty tidy.

Speaking of tidy. My latest on Substack is Small Mercies: Sifting through Kerouac’s Western Haiku (and a note from Tom Petty.

I’d like to share more rough draft stories and poems with you, but doing that here makes them ineligible for publication almost anywhere else. I think Substack offers a work-around. I can put rough drafts in the chat, which is only visible to subscribers (subscriptions are free). Just a thought.

Just Published: “Grazing on the Kyll” at Earth & Altar

Many thanks to Earth & Altar and arts and culture editor Terry J. Stokes for thoughtfully engaging this piece and giving it a wonderful home.

“Grazing on the Kyll” is a sonnet in the Petrarchan or Italian model, inspired by recent reading and revisiting of formal structures. It opened up the writing of two other pieces, which I hope to place soon.

While I have never been of the opinion that there is only one way to write (and I don’t typically write formal verse), the challenge of the form was rewarding for me as a writer. I hope it will be rewarding for readers, too.

Read it here, and feel free to comment below!

Agape (Open): For Billy Corgan

This isn’t quite a poem. It’s certainly not a sermon. It’s a little bit of exercise, and a little bit of grace.

Billy Corgan continues to interest me. Fascinate is too strong a word, but people are on journeys. I think we still allow that.

Billy, if you’re out there: thank you for “Tonight, Tonight.”

Agape (Open)
For Billy Corgan

It’s said that Billy Corgan pronounces the English word agape like the Koine word agapē (ἀγάπη).

Agape, agape
the bleeding heart of Jesus,
agape, agape
the spear wound in his side;

Agape, agape
the boulder-sealed entombing,
agape, agape
the beating heart of Christ.

Photo by Jose Antonio Gallego Vu00e1zquez on Pexels.com