Now That We’re All Talking About Oasis

Here’s a little thing from when I was 32. I’m 45 now. I was 17 when Be Here Now came out. I ran down to the record store (for real) and bought it the day of its US release, played it in the car from Toones Records to the Allentown Fairground where I was about to start my shift at the Fair. It was only a few blocks, so I didn’t get through the whole record. I think “My Big Mouth” was in my head all day. Afterwards, I went to my gf’s house and listened to the rest.

In this re-shared post from 2012, I said sure, it may have been something of a misfire. Friends, I was hedging. It was awesome. It is awesome. It didn’t just get me through my senior year; it may have saved my life.

For a really brilliant look at Oasis then and now, check out Steve Zeitchik:

https://www.hollywoodreporter.com/music/music-features/oasis-gallaghers-met-life-concert-1236358264/

Words and Music

The Rilke post from earlier got me thinking about the first poem I ever memorized.

Obviously, nursery rhymes were first, and then songs like Jesus Loves Me. Then, when I started school, My Country Tis of Thee, America the Beautiful, The Star-Spangled Banner, Simple Gifts.

In fourth grade we had to memorize and recite poems, so of course we all asked if we could do Top 40. Someone beat me to We Didn’t Start the Fire (I memorized it anyway…we all did), so I did Another Day in Paradise by Phil Collins. The song really affected me. Years later, I’d find myself working street-level with the homeless populations of the Lehigh Valley. What had seemed like a very 80s problem has gotten so much worse.

The first sort of classic poem I ever memorized was To Althea From Prison by Lovelace, the cavalier. It’s very famous, especially for this line:

Stone Walls do not a Prison make,
Nor Iron bars a Cage;

but the ones that really got me were

When (like committed linnets) I
With shriller throat shall sing
The sweetness, Mercy, Majesty,
And glories of my King;
When I shall voice aloud how good
He is, how Great should be,
Enlargèd Winds, that curl the Flood,
Know no such Liberty.

and especially:

When I lie tangled in her hair,
And fettered to her eye,
The Gods that wanton in the Air,
Know no such Liberty.

I was 15, so yeah. Killed me. Still does.

It strikes me now that “Slide Away” by Oasis, which I also discovered around that time, is a cavalier poem from the Council Estates. I love it so much.

Liam in London

But as a Mancunian whose teens were set to a soundtrack of Oasis, Liam could have come out and played Wonderwall on his iPhone and I’d still think he was the coolest man alive. 

That’s a great line from Stefan Kyriazis.

As a Pennsylvanian whose teens were set to the same three albums, I know what he means.

There’s no real American analogue to Oasis. By convention, I should have been listening to Nirvana for a few years already when Oasis got to American top 40. And, I mean, I was, because it was impossible not to. But I’ll just be honest. Nirvana always seemed too privileged.

Oasis was swaggering, life-affirming, sneeringly ironic but also really, truly earnest. Liam packed about a million miles into what he did with the simplest of things (namely, vowels). Show me another frontman who, standing still with his hands clasped behind his back, could electrify hundreds of thousands of people.

90s B-Side: I Will Believe

Noel Gallagher had a habit of writing great songs that most people (at least in the US) never really got a chance to hear.

This one’s called “I Will Believe.” It’s not on Definitely Maybe (I listened to that album about 100,000 times) but it’s on the recent deluxe release. I love how you can hear the exact moment it becomes an Oasis song (as 00:23 becomes 00:24). And Liam’s voice! Some of the stuff they cut leading up to Definitely Maybe but never properly released could chart right now.

Chuck Klosterman on Noel Gallagher; Me and “Be Here Now”

Cover of "Be Here Now"
Brilliant.

I somehow missed this Klosterman/Gallagher Grantland interview from last fall but Noel’s in great form as usual.  Timely for our purposes in the context of my recent suggestion, prompted by a Klosterman quote, that Axl Rose and Noel Gallagher cut some tracks together. A.V. Club’s Steven Hyden explores the place of Be Here Now in the Gallagher cannon given Noel’s suggestion that we play his career in reverse for an alternate narrative of artistic expectation.

Hyden gets close to saying what I’ve been saying for a while:  Be Here Now is going to be one of those albums that people come back to and say, it’s not the first two Oasis albums, but it’s pretty great.  It’s who they were then, and it’s who we, the people who loved it, were, too.  Definitely Maybe and Morning Glory were almost perfect.  Be Here Now was a victory lap that may have misfired, but it was a hell of a lot of fun, and it made sense that the biggest band in the world (“the first post-grunge band to be massive in every way,” as Klosterman says) act the part.  And they did.  And that record got me through my senior year of high school.  I’ll always love it.