Ash Wednesday and the Value of Tradition

painted cross on iron grate

Today marks the beginning of the forty-day Christian liturgical season known as Lent, a time of reflection, contemplation, and perhaps even sacrifice in preparation for the coming of the Holy Week that culminates in the celebration of Christ’s Easter resurrection. Throughout the world on Wednesday, Christians from across denominations and traditions will make themselves known through the imposition of ashes in the shape of a cross on their foreheads, small but conspicuous statements about their spiritual identities and, I suspect, their most pressing hopes.

We know from Tolkien that not all who wander are lost. The inverse, of course, is also true. Not all who find themselves moved to religious ritual are finished seeking. Most aren’t, even as many of us wander in and through various religious orbits, spiritual practices, and times of communion and estrangement from God and from each other. Those who will bear the mark of Christ’s cross on Ash Wednesday do so for different, even disparate reasons. Some will wear it as a proud (and I don’t mean prideful) badge, a faithful, even kerygmatic public statement. Some  receive the ashes and the Wednesday blessing because of the long pull of tradition. Others are compelled to it by a desire for that same pull and the hope that God might meet us in it. Not all, and perhaps not even many, who wander are lost. Not all who wear ashes are cradle Christians or Christian converts. Not all who take pause on Ash Wednesday will go on to observe a Christian Lent. Not all who hope for Easter’s promise necessarily believe it. Not all who want to feel able. But I do believe, somehow, that all who seek God will find.

I’ve never been much of an Ash-wearer, but I became one last year when confronted with the thousands-fold witness of marked heads on the subway. It was not so much the numbers themselves, but the odd occurrences: every other person in the long corridors beneath Time Square, every fourth or fifth on the 3, a small group walking towards me as I surfaced to street level. If a sacrament is, as theologians are fond of saying, a visible sign of an invisible truth, these pilgrims were sacraments for me. Their willingness to be marked as believers or seekers, and, in either case,  people needing something, made me willing, too. Going up the wrong flight of stairs at 14th Street Station and hitting the street at the Church of the Village meant I was greeted with a sign proclaiming Imposition. So then there I was, and there, it seemed, was God. I received ashes and a blessing, a charge to repent, believe, and live. In short, I was moved, felt something, lost my bearings. I didn’t know which way to walk when I came back out to the street. I believe I had a profound, even mystical experience, not because I succumbed to a ritual I’d never valued, but because I believe God uses what God can to meet us where we are. For me, a provisional-at-best Christian, a seminary grad burned out on church and religion, it was the totally new experience of ashes, of anointing prayer and blessing. It was whatever God said to my spirit while the bishop spoke to me.

Over the past year, I’ve found myself much more interested in the mystical Christian traditions than ever before, and needing them. I’ve felt more at home around ritual and process so long as I approach them from humility and from the recognition that God is always bigger than the things we do and that when God meets us in those things, it’s because God is God, not because we’ve done religious work God deems cosmically essential.  But it’s also true that our drive to meet God in places carved out by tradition echos something cosmically essential: an understanding that we want and need the mystical, the holy; a hope that God will meet us wherever it is we seek to find.

This Ash Wednesday, I am reminded that the power of Christian ritual has absolutely nothing to do with it being set down by patriarchs with apostolic authority or some other contrived historiography that super-values the existential (and perhaps compulsive) needs of long-dead saints.  For me, our rituals, like our stories, are opportunities to embrace the basic Christian claim: the in-breaking of God at every turn, the furious longing on God’s part for time and eternity with us.

Happy Fastnacht Day!

Maybe you call it Fat Tuesday or Shrove Tuesday or Mardi Gras.  In these parts, friend, it’s Fastnacht Day.  My pledge to you, dear reader, is that I will not repeat last year’s poor showing.  Not only will I enjoy fastnachts (yes, plural) today, but I will be enjoying them from Mary Ann Donut Kitchen.  Holler if you know what’s up.   I may also venture to Egypt Star Bakery so as to get the most fat for my Tuesday.

This is a big deal.  As I said last year, we used to even get faschnats in elementary school.   Enjoy yours early and often.  Then get your butt to church on Wednesday for the imposition of ashes.

I never used to take part in that particular Lenten tradition, but I did it last year from a place of feeling like I really needed to do something different, even if only provisional, to connect with the Holy.

Ashes imposed on the forehead of a Christian o...
Image via Wikipedia

I’ve been on a long, interesting journey since then.  I’m not ashamed to drop the qualifier “provisional” from my status as Christian, so long as epistemological humility isn’t breached.  But I’m still more apt to describe my faith in Conan O’Brien terms than, say, the limiting language you might hear in some Christian quarters.  Even so, even so, I find myself much more interested in the mystical traditions than ever before, much more at home around ritual and structure so long as I can approach them, too, from a place of humility and from a recognition that God is bigger than the things we do and that when God meets us in those things, it’s because God is God, not because we’ve done something cosmically essential.  But it’s also true that our drive to meet God in places carved out by tradition echos something cosmically essential: an understanding that we want and need the mystical, the holy; a hope the God will meet us wherever it is we seek to find.

For me, the power of Christian ritual has absolutely nothing to do with it being set down by patriarchs with apostolic authority or some other contrived historiography that super-values the existential (and perhaps compulsive) needs of long-dead saints.  For me, our rituals, like our stories, are opportunities to embrace the basic Christian claim: the in-breaking of God at every turn, the furious longing on God’s part for time and eternity with us.

Oh boy. This post was supposed to be about donuts.  More to come on Huffington, I think.

Happy Faschnat Day!

Sunday Morning Picture: Got Hope?

This is not a metaphor for everyone disappointed, angry, or otherwise unhappy with President Obama’s budget.  This is a picture of my friends’ car after they were hit by a drunk driver late last year.  The drunk driver was in a Land Rover.  You can guess who took the brunt of the damage.

Thankfully and amazingly, my friends weren’t hurt in this accident.  They were on their way to take someone for emergency shelter and care at a local rescue mission around 3:30 AM.  Got hope? Indeed.

Gloria! In te domine!

photo by Valerie Everett

Today is the 12th Day of Christmas and tonight is 12th Night, the end of Christmastide.  Tomorrow is the first day ofEpiphany, a liturgical season during which the Christian tradition has, in theory, stressed God’s radical inclusion, God’s manifestation in Christ, and the revelation of that presence to humanity.  The celebrative model in the West has traditionally been the visit of the Three Kings/Magi.  Eastern churches focus on Christ’s baptism in the Jordan.

Since New Year’s Eve, I had “Scarlet” by U2 stuck in my head.  My wife and I used some iTunes giftcardage to buy October (Deluxe Edition), basically a double release with every album cut and every album cut live.  I said the other day on Facebook how much I love “Moment of Surrender” from No Line On the Horizon, and how underrated I think that whole album is. (Very. Soooo, even).  Listening to October today, I got really, really moved by “Gloria”.  Moved sounds too emotional for what I really mean.  Excited might be better…excited to be listening to such great art that celebrates the fundamental hope of Advent, Christmas, and the New Year.  It’s so much more like Taize or Bach than like what many of us think about when someone says this or that work is Christian. It’s essentially, classically Christian, but it’s also suprachristian.

I haven’t had much interest in classic liturgy or these seasons until recently, but I’ve been exploring the contemplative, prayer-centered spiritualities of the broader tradition and finding much to celebrate.  It seems to me that the best possible response we might have to the classic and at the same time suprachristian themes of Christmas is celebration, not just for the coming of God into history or God’s theophany, but simply for the thought that God is.  The traditions are becoming, for me, a way of considering at deeper levels who God is.

Gloria…in te domine
Gloria…exultate

Gloria…Gloria
Oh Lord, loosen my lips.


(photo: Valerie Everett via Flickr.)

Religion (Religiosity?) as Rebellion

From 2009.

I am fascinated by the idea, put forward in the lit seminar I’m taking, that in the middle of the 20th century it was fashionable for artists and writers to convert to Catholicism. I’d never heard that before.

I was reading about Robert Lowell’s transformation from Boston-bred Puritan/Congregationalist heir to Catholic, and found a consensus (among half a dozen online sources, anyway) that his conversion was an explicit rejection of the WASPy, industrial mores of his upbringing and native Northeastern context. Max Weber might concur. There’s also at least some religious longing here, though, says A.O. Scott:

The poems are populated by figures from New England’s past, including some of Lowell’s own ancestors. But Lowell, descended on both sides from prominent Yankee families, had undertaken a twofold rebellion against his inheritance, rejecting Harvard for Kenyon College and the bleached-out Puritanism of the Congregational Church for a notably sanguinary, “fire-breathing” Catholicism.

Scott’s full article here.

Because I’m a soft little soul, I know a few things about indie music.  We’ve talked about Sufjan/Flannery before, but the more I think about the number of good, working indie bands out there that also happen to be plaintively  Christian, the more I wonder if their influx since the mid-late 90s has something to do with secular suburban kids rebelling against the norms and expectations of their settings. I won’t bore you with tales of my own Tenth-Grade Nothingness or an uninformed discourse on how the straightedge movement corroborates this idea. More on “Christian” art that’s still…good…in this article on emusic.com.

The Priest and The Peacock

This is from “The Displaced Person” by Flannery O’Connor:

peacock

I don’t presume to know if it will do the same for you, but it made me feel the way maybe church is supposed to. When I get to the last few lines I want to start singing the refrain from “Chicago” by Sufjan Stevens in a kind of kairotic response.