In May, Another Easter

Somehow, it is May 16, 2019.

May 16 already.

Ten days ago, my cousin would have turned 38. His beagle, who is now my beagle, is whining in his crate. Beagles, if you don’t know, are beautiful and complicated and a little bit of mess. Beagles are like people when it all comes right down to it.

Last week I had a dream about my cousin. We were driving and catching up. We both knew that he had died. “Yeah,” I said, “but tell me. What’s it like?” I was pointing to the sky. I felt bad for asking, like I was violating some secret. It’s not that I needed certainty, but here I was, staring at it. Here I was, staring at Easter.

“Yeah,” I said, “but tell me. What’s it like?”

“You can’t even begin to imagine,” he said.

“Good,” I can picture myself saying. “Good,” I said. “I thought so.”

Flannery and Sufjan

This is an except from something I wrote a few years ago.  Below it is a Spotify link to the song “Chicago.”

It’s possible to encounter O’Connnor’s stories (you never really just read them) without explicitly discerning her deep, abiding belief in literary art as Christian vocation or her mission to show, as she said, “the action of grace in territory held largely by the devil.” Clear about these motives in her essays and letters, she’s almost never so obvious in her fiction. Perhaps because she uses the evangelical cosmologies of her neighbors as Tolkienesque proxies for her own traditional Catholic systems it’s easy to infer a sort of distance between O’Connor’s art and faith where she in fact saw none. In the same way, it’s possible to listen to Stevens’ biggest hit, “Chicago,” without immediately sensing the plaintive Christian hymn at its core, but “Casimir Pulaski Day,” “Oh God Where Are You Now?,” “The Lord God Bird,” “To Be Alone With You,””God’ll Ne’er Let You Down”… well, these and others comprise a body of work that, like O’Connor’s, raises and answers questions about what makes art “Christian.” Like O’Connor, Stevens operates outside of expectation: his confessional work is among his best, but you’d never call him a Christian artist the way, say, Amy Grant is a Christian artist.

Cornelia, Mulatto Slave

It’s mostly an Illinois thing, but there’s also an important Lehigh Valley connection.  I wrote about this a few years ago, but because I love Sufjan Stevens and hate injustice, I’ll tell you about it again:

Pulaski was a Polish noble and general who helped the American colonies win their independence from Great Britain by training and leading American soldiers throughout the Revolution.  Pulaski died from wounds sustained during the Siege of Savannah, and is remembered today as a proto-typical Polish-American hero in many Polish-American communities.  Though his holiday is mostly celebrated in Illinois, two years ago I discovered a connection between the Duke and the Lehigh Valley’s very own Bethlehem, PA.

I was walking around the grounds of the old Moravian settlements in Bethlehem and come upon this grave in the historic Moravian Cemetery:

A few yards away, I found this historical marker, explaining Duke Pulaski’s role in defending the early settlement and the fact that women from the Moravian community created the war banner he carried into Savannah, an even later llionized by Henry Wadsworth Longfellow in Hymn of the Moravian Nuns of Bethlehem at the Consecration of Pulaski’s Banner.

Reconciling the image of pacifist Moravians sewing banners meant for war is one thing.  But Cornelia’s grave made me hot with rage and then it made me weep.

When I got home, I wrote the piece below.  You need to know that Bethlehem, PA, was founded by pacifist Moravians (who were fleeing religious persecution) in 1741 and christened for its namesake on Christmas Eve.

CORNELIA
NEW YORK
1728-1757
MULATTO SLAVE
(THE HORSFIELD’S)
1755 RECEIVED INTO THE CHURCH

What scandal, these Moravians, these Peace Church nuns and friars rending martial banners? Duke Pulaski, their protector, marches to Savannah, is recalled in Illinois among the Polish and in the frontier psalter for his sword. How ancient, their Count’s mission, in its context on the Lehigh, infant, pre-incarnate by their Christmas City’s namesake — Bethlehem, Palestine?

Cornelia, theirs in life, (the Horsfields’), not her own or God’s, sewn in Pennsylvania with the city’s founding mythos. December 24, 17whatever. Theirs in death, the Horsfields, these Peace Church nuns and friars.

The Gospel of Mark as Sudden Fiction

Sudden fiction is another term for flash fiction, but the two aren’t simply synonymous, at least not to my ear.  Don’t read too much into the title of this post.  I’m not making some argument that the Gospel of Mark ought to be thought of as fiction or non-fiction by modern definitions.  I’m talking about effect.   Where does the writer mean to take us, and why?  How do we know?

The Gospel of Mark is short, but it’s also very sudden.  Replete with “immediatelys,” the narrative is constantly moving.  Like a good short story, it feels meant to be read in one sitting.

I’ve just finished a sudden read in this manner.  My sudden thoughts follow.

In Mark, Jesus is concerned with telling anyone who will hear that the kingdom of God is at hand, the kingdom of God is here, and that this news is good.

Often, his message gains traction through healing and exorcisms (these may or may not be the same).   He is clearly opposed to entrenched religious systems and values, but not to the teachings of Israel’s prophets.  His je ne sais quoi  has precisely to do with his vision of God and God’s kingdom in the context of Rome’s empire, Herod’s puppet vassal, the Sanhedrin’s religious hegemony, the temple-merchants’ guild and the common-place fiefdom of first-century mores, beliefs, and expectations often beguiling his disciples or other parts of the general public.  Often, those outside his immediate circle understand him best.  He is arrested, tried, and crucified quickly.  He even dies quickly.  His tomb is found empty, and his followers are instructed by a heavenly presence to meet him, the Risen, in Galilee.  No big deal.  Biggest deal ever.

We shouldn’t be surprised.

Solidarity, Serendipity, Grace: a brief story from my morning

This is probably from 2013:

Yesterday I reposted a three-year old piece about Hess’s, the famed and sorely missed downtown commercial icon that owned the 20th century not just in Allentown but really across this part of Pennsylvania.

As you know if you live here, Allentown is undergoing half-a-billion dollars in new capital investment.

This morning, I had a breakfast get-together downtown. I was early, and I found myself sitting in the lobby of one of the new buildings to pass the time.  It also occurred to me to pray.  At some point, a kind woman I’d never met before who works somewhere in the building asked me if I wanted anything to eat or if I could use some coffee. Yesterday, I had given a little extra at a local coffee shop and said if you don’t want the tip, please do pass it on to a homeless friend in need.

The kind woman from this morning may have thought I was homeless or just simply hurting, and maybe that’s on her mind because of all the awareness being raised about the needs in Allentown. Maybe looking out for others is part of who she is.  In any case,  I’m grateful for her kindness and her courage, and I know that someday soon it will encounter someone with needs I can’t begin to imagine.  Maybe it has already.

Doubt, Depression, Dread-Mornings of the Soul

From 2014:

I’m trying to write a new post about depression and doubt. One does not do this without referencing Leonard Cohen and Ernest Hemingway. I looked up some old posts for reference, only to find that I’d written this almost a year ago to the day:

https://chriscocca.com/2013/02/08/rockstars-and-whetstones-and-ssris-steven-hyden-and-a-bunch-of-other-stuff/

I can’t say that my medical situation is exactly the same as it was then, but I feel a year better, at least, about almost everything.

Below is what I started with this morning before going back.

For me, doubt is never about the veracity of some narrative.  I suppose that’s because the living Christ is the only thing I really believe in.  I suppose it’s because I feel connected to the prophetic witness and movement of the Holy Spirit.  Or perhaps I am drawn to these realities specifically because I can’t fathom the idea that the salvation of the world depends on getting this or that narrative right.  I want to experience what Jesus experienced of God, and what his followers experienced of him.  I want to do what he did.  I don’t have time for anything else.

For me, doubt isn’t waking up and fearing that the stories we were raised on aren’t true.  I don’t care about that.  Doubt, for me, is far more insidious.  It has to do with waking up and worrying that everything I fought for yesterday doesn’t matter, or, worse, would embarrass Ernest Hemingway.  I’m talking about a specific, latent, and under-discussed anxiety that often turns young Christian or Muslim or just plain earnest men into misogynists: the fear of spiritual conviction as masculine failure.  In the West at least, men are inevitably trained to worry about this.  We are trained not only to believe that our worth as men or as people has everything to do with supposedly gender-bound responsibilities of provision to our families and sexual gratification to ourselves, but that the bald pursuit of both at any cost is somehow noble, right, and good.  Spirituality (like nurturing) is better left to women.  When we do pursue spiritual matters, God (God!) forbid we allow ourselves to cede equal ground to women or their equal standing before God.  God forbid we affirm the radical hunches of Paul or the radical directives of Jesus.  If we’re already concerned that spirituality (or anything not manifesting as apathy) makes us cruiser-weight chumps in the war of each against all, we’re not likely to admit women (or gay men, for that matter) can do that shit as well as us, period.

If you’ve ever felt this way, please know that hyper-masculine Neo-Calvinism won’t help.  This isn’t about embracing a beefed-up vision of Jesus but about reclaiming an honest one.  He fought the law and the law won.  And then he won.  On the dark mornings of my soul, waking up means having to remember that the radical potency of insubordination and insurrection isn’t just the point of Jesus’ witness, but of this “work in progress called life.”   The point of life, as best as I can see it, isn’t found in the catechisms of J.M. Barrie, Martin Luther, or Ulrich Zwingli.   It’s found in the life and work of someone like Jesus, killed for daring to free the world from the scarcity model.

That’s no small thing.  It’s nothing to be ashamed or embarrassed of.   It won’t net you a sports car or pension or the kind of disposable relationships we sometimes crave.  It may, however, net you some life and in that sense, abundance.