Discovering New Poetry and Fiction Markets

If you have the time, resources, energy (or general privilege) for self-improvement during the pandemic, you may be looking to get some writing done. You may be looking to get some writing submitted. You may be looking for some new journals to read and reach out to.

Creativity may be an essential way you interact with the world, and you may be frustrated because there’s not a lot of time or energy for that right now. You may be experiencing trauma. You may be exhausted, even though it feels like you’re not doing much.

But you’re probably doing a lot. This is what trauma feels like. It’s real, and it’s important to recognize.

I have a dozen tabs open, a dozen journals I’m going to submit to. At some point. At some point today. Maybe after I finish this post. Maybe after I take a walk. Maybe after I take a few minutes.

Here are some I have discovered recently:

Cream City Review

Midway Journal

Blood Orange Review

Contrary

Little Fiction Big Truths

Alien

Kissing Dynamite

Orange Blossom Review

Porter House Review

The Stinging Fly

Salt Hill

Jellyfish Review

Submit yourself to staying home. Submit your work if you can.

Words and Music

The Rilke post from earlier got me thinking about the first poem I ever memorized.

Obviously, nursery rhymes were first, and then songs like Jesus Loves Me. Then, when I started school, My Country Tis of Thee, America the Beautiful, The Star-Spangled Banner, Simple Gifts.

In fourth grade we had to memorize and recite poems, so of course we all asked if we could do Top 40. Someone beat me to We Didn’t Start the Fire (I memorized it anyway…we all did), so I did Another Day in Paradise by Phil Collins. The song really affected me. Years later, I’d find myself working street-level with the homeless populations of the Lehigh Valley. What had seemed like a very 80s problem has gotten so much worse.

The first sort of classic poem I ever memorized was To Althea From Prison by Lovelace, the cavalier. It’s very famous, especially for this line:

Stone Walls do not a Prison make,
Nor Iron bars a Cage;

but the ones that really got me were

When (like committed linnets) I
With shriller throat shall sing
The sweetness, Mercy, Majesty,
And glories of my King;
When I shall voice aloud how good
He is, how Great should be,
Enlargèd Winds, that curl the Flood,
Know no such Liberty.

and especially:

When I lie tangled in her hair,
And fettered to her eye,
The Gods that wanton in the Air,
Know no such Liberty.

I was 15, so yeah. Killed me. Still does.

It strikes me now that “Slide Away” by Oasis, which I also discovered around that time, is a cavalier poem from the Council Estates. I love it so much.

Evensong

Another early piece. This was published at elimae when Cooper Renner was the editor. It was a very good journal. This story is 100 words long.

Evensong

Thaddeus, age 3, set the Evensong in shallow water. Small waves rose and fell, and, retreating, carried Thad’s small ship further from the shore. Squealing and on pigeon toes Thaddeus retrieved it, and, safely back, he cast the tiny schooner headlong into the sea. His father’s strides were long and easy and for a moment Thad was sorry for the rival ocean and the fight he’d picked. His father bent low and pressed Thad to his chest and from tall grass on the bluffs above, they watched a red sun sink behind the green and Thad said, “Bring it back.”

The Ursinus College Lantern, Fall, 1998

Earlier today, I shared a piece that I said was the first thing I had published in a print journal.

Later, I was working on a story partly set at a sort of proxy for my undergraduate alma mater.

When I came to campus in 1998, the website was in very basic html, and the college email ran on DOS (I think. It was text-based at any rate). 21 years later, there’s a fairly robust digital history of all kinds of things Ursinus.

I went down the rabbit hole.

Regarding the venue from this morning, what I should have said was it the first print journal run by people I didn’t know or go to school with to publish my creative work.

Of course, I hadn’t forgotten about the Lantern. Of course it was the first print journal to ever publish my creative work. (Alright, here again I’m wrong. In sixth grade, I was co-founder, co-editor, co-publisher, and staff writer for zine called ZAP! In middle school, we briefly considered relaunching as The Jolly Rancher, but it wasn’t meant to be.)

The Lantern piece, which you can find here, was written a few years before I got to Ursinus. I was about 16, broken-hearted, and listening to a shit-ton of Beck. That it was published alongside things written by 22-year-olds, and that it won the yearly prize for creative writing, has always meant a lot to me.