Penmanship, the Engine of Democracy!

In 2009, I was very considered that we’d soon seen the end of physical books.  10 years later, I’m not.  I think we’ll have books for a very long time.  Concern about privacy, censorship, and surveillance has not similarly abated.

Every other day I read something about how books will stop being physical objects and exist only digitally.  Publishing houses are producers of information, not artifact, etc.

I love to read, but you’ll never hear me say that I like to do anything like snuggle up to or get cozy with a book.  But the continued existence of books as objects is extremely important.

From the beginning, at least in the West, books in book form have been subversive. The Gutenberg Bible was subversive.  Common Sense was subversive.  More to the point, the printed word as printed word on paper is an historic engine of unrest, access, and change.  All those pamphlets and papers. These things being swapped and smuggled and shared.  Tyrants burning them.  Schools banning them. People reading them anyway.

We talk so much about going “off the grid” in terms of energy consumption.  We long for it.  Can you imagine not being able to do one of the most basic human functions (read) off the grid?  The concept of a bookless society makes even less sense than that of a cashless one.  Subversion (and I don’t mean violence or lunacy), education, self-improvement without censor, these requires objects that can’t be deleted when political winds change, even as the economy depends on the 1 or 2/3’s of it operating off the books.

I’m not a publishing professional so I won’t pretend to understand all of the economics of the industry, but I know these aren’t exactly fattened times.  I’m not saying the general trend won’t be toward electronic publishing and distribution.  It probably will.  But if we need books, we also need books to be books, physical objects we can hand, physically, to others.  Things we can physically protect and need to.

Of course, much of this discussion is moot.  Let’s imagine a bookless society.  It should be easy to imagine that in this society, some branch of some government somewhere manages to track, or, even worse, decide what we read.  Not very far-fetched.  Maybe every computer even gets a patch that scans everything you send to your printer and uploads it to some database.  When the things people want to read are banned, deleted, or otherwise made unavailable, people will pick up papers and pens and start writing.  They’ll make their own presses and they’ll post their bills and broadsides and leave their chapbooks and pamphlets in donut shops and laundrymats and in hotels like the Gideons.

Unless, of course, we stop teaching kids how to make  letters and numbers by hand.

Penmanship, the engine of democracy.

Storytelling and History

Written in the second or third week of the Fall 2009 fiction seminar taught by Benjamin Taylor in the New School MFA program.

I want to share some thoughts from my prose fiction seminar last week.  These are via our teacher (paraphrased, some phrases quoted) with some extended, rambling reflections following the asterisks below.

Art as a human pursuit is 35,000 years old.  Agriculture is 10,000.  That means that 25,ooo years before we got the idea to put seeds in the ground and grow things, we were making art.  Specifically, cave painting and pottery started 35,000 years ago, but storytelling is much, much older.

Storytelling did not emerge from a need for passtime, but to explain things.  That is, to “perform the most urgent function.”   Stories were told to cope with unanswerable questions “on the frontier between culture and nature.”

“Literature is about trouble.”  There is no end to storytelling because there is no end to trouble.

***

The hypothetical end of literature has made me think this week of the old hoped-for “end of history” that was supposed to occur after the West won the defining ideological battle of the last century.  Or, you know, the workers’ paradise that was to be realized when class struggle ceased and there was nothing else to drive the dialectic.  Instead, of course, new ideological struggles emerged, full-grown, and old ones smolder but aren’t out.  There is no end to history or literature until there is an end to trouble, however you define it.  Very literally, Yogi Berra was right.  It ain’t over till it’s over.

Those of you with eschatological concerns can, of course, consider whether there will be storytelling in the eschaton.  Can you imagine life without it? Where there is no weeping or gnashing of teeth, will all of our stories be boring? Or self-congratulatory?  On some level, storytelling seems essential to any sustained worthwhile activity I can imagine.  Christian theology says, after all, that God is Logos, and I understand Logos as dialectic and story.  I hope for the eschaton (not the bloody, violent scary one; the just one where everything that’s been lost is restored) but I don’t always believe in it.   What are we to do without our troubles?  Our ambitions? Our insecurities or petty prides?

I’m in Kempton, PA today with the Kittatinny Ridge blue in front of me and the Hawk Mountain Preserve and between us alfalfa, I think, and maybe switchgrass.  It is sunny but cool enough for sweaters and jeans, not cold.  I am with people who are interested in sustainability and justice and environmental responsibility and I think that if the eschaton could be like a just day in Berks County in September then perhaps I would still have good stories and worthwhile ambitions even without trouble.

I’m tempted to say that we mark time by trouble, and that where there is no trouble, there is no time and so it makes sense that we speak of eternity as timeless.  But we also mark time by good things.  First dates, first kisses.  Births of children.  I can’t really believe in a detached timelessness where nothing new happens as something worth looking to.   A just day in the fields, in the mountains, is nice, but so is the evening, the moon, the few degrees cooler and the idea that we do it again. I like being human. I don’t know that I’d want to be more than that, but being that forever might be okay.

How To Not Be Sad About The 90s

February, 2011: Some updated liner notes.  I mention below that I couldn’t wait for my 30s.  Let me tell you, but the time December of 2009 came  I was really, really ready.  Ready to be done with my 20s, to be done with the 2000s and all the identity drama.  Years and years ago when our grandparents were the Justice League, using your twenties for education and cynicism wasn’t something people did.  They got jobs, had families, beat Nazis.  They made things.

Somehow between their youth and ours, we got the idea that youth is better by default than maturity.  And let’s face it, turning 20 in 2000 wasn’t perfect timing,  with the dotcom bubble bursting, a war on terror looming, a subsequent recession that wiped away most of what the 80s and 90s taught us to believe we’d earned by getting into college.  When the workforce could not absorb us, we went to grad school, law school, div school.  Maybe joined the service.  Certainly, many of us planned to pursue these things anyway, but the fact that being a professional student until one’s mid-20s or later is still so feasible for so many people is something recent nonetheless.

I don’t get sad about the 90s anymore.  I’m in touch with long-lost friends (thank you, 10 year reunion and Facebook) and I’m over that whole quarter-life crisis garbage that I thought my first book had to be about.  Certainly, there are other, better, adult crises now to conquer.  So bring those on. And let them fear my beard.

I do still, however, dig on string theory and multiple universe hypotheses.

The original post:

The other day I tweeted (we’re really going with that?) a question about why so many people were recently finding my blog by searching “sad songs of the 90’s.” Some of the responses made me realize I need to be more explicit.  I get why people come to this  blog via that search, and I get why people search that phrase, (I heart the 90’s), but why the sudden swell in that particular search?  My favorite from the past view days has been a variation of this:  “how to not be sad about the 90’s.”

I’m sad about the 90’s all the time.  And happy.  All that good music.  All those good times.  All that bad music.  All those bad times.  I don’t know if it’s possible to not be sad, in general, about something you miss, especially a formative era that gets boxed up in your minds as having been a certain thing way, a long-gone context from some once-tangible point in the past. If you’re not sad about how awesome the 90’s were, you’re too young or too old to get why “sad songs of the 90’s” is even a search phrase to begin with.

Is plaintive, smart, adult contemporary music our blues?  What’s your favorite sad 90’s song?  I’d say more about why we’re all so wrapped up in these things but I’ve done that post somewhere.

Man, now I’m all sad, too.  I feel better when I realize that time is fluid and so are we and that the best of anything is always a moving goal.  I’m expecting my 30s to kick ass, so maybe the 2010’s will be awesome.  There are some things I’m resigned to miss, ala Bob Seeger, and that’s okay even if it’s frustrating.  We’re not used to elusiveness.  I can watch any sad bastard song I want right now on YouTube.  I can’t crash in the basement of the house I grew up in and find it on MTV.  Maybe we don’t get contexts back.  But they’re as fluid as anything.  They’re as decision-dependent, moment to moment, as everything else. Believe in string theory and infinite universes and know that somewhere you’re living through all of those things again, going one way or the other, and somewhere in the fullness of time you become you.  That all of this is your context, that all of it is formative, that you never stop moving or being or becoming.  Rejoice and be glad.

Proxy Christs and Purple Spaghetti

Three items tonight:

1) If Christ lives, why is it that so many Christians treat the Bible as his proxy?  If we have access to the Divine, why this divination?

2) My friend Nathan Key told me a joke long ago called “Purple Spaghetti.”  There are some versions on line, but none of them capture Nate’s sick 6th grade raconteur style.  If you know this joke, I want to see your best attempt at it.  The longer and more drawn-out, the better.

3) Dzanc has a new on-line journal up.  Check out The Collagist. Gordon Lish is in the house.

Sad (Great) 90s Songs, pt 2

I figured out what the third song in the “Got You Where I Want You” (The Flys) and “Time Ago” (Black Lab) trinity of obscure songs from Summer of ’98 BestBuy sampler was: “High” by Feeder.  Sweet.  Of course, Semicsonic and New Radicals were on there, too, but they got way more radio play than The Flys, Black Lab and Feeder did.

Man. That is beautiful late 90’s hair.  Before all the the spiky short dos.

And then there’s “Suffocate,” which is awesome and totally different.